Thursday, February 15, 2018

The Nightmare Never Ends (1980), by Phillip Marshak, Tom McGowan, and Greg Tallas



Ah, yes. With this, we move one step closer to getting to review Night Train to Terror, the greatest anthology film of all time and "sequel" to Gretta. You know how much I love Gretta and this one is a worthy prequel to this little fucked-up series that Night Train of Terror forces them all into.

James and Claire Hansen have only a small shortage of troubles in their life. James has fallen under criticism for the publication of his anti-religion book, God is Dead, and Claire has begun having strange nightmares of "devils and demons." When she goes to see a stage psychic in Vegas, he unlocks visions of Nazi Germany. Around this time, police lieutenant Sterne (Cameron Mitchell) begins having trouble with an elderly Holocaust survivor named Abraham Weiss, who is insistent that a 20-something rich socialite named Olivier is one of the Nazis who killed his family during the War, despite the fact that he's decades too young. Soon Claire and Sterne meet in the middle and begin to find out that they are wrestling with Satan himself. And Satan has his eyes on James Hansen, whom he believes is the perfect vessel for killing God once and for all.

I wrote that introduction based entirely off my memories for this movie, hopeful that it would live up to my expectations. Sure enough, the mental note I tagged to this film--"As weird as if not weirder than Gretta"--turned out to be accurate. The two films are similar but I don't yet know if there was ever any connection between them. Both of them have the same brand of horrible editing and odd cardboard acting that only '80s can provide. Claire in particular is horrible and as such she makes a very strange choice for a protagonist. But then, I've followed movies that featured Chesty Morgan as a protagonist and they turned out okay. The woman playing Claire isn't nearly as bad an actress as Chesty Morgan, but she comes close at times.

The Nazi angle is really jarring in this. To put things in perspective, we have no hints of Nazism until the psychic tells Claire to flash back to her dreams. Then suddenly: "SIEG HEIL! SIEG HEIL! SIEG HEIL!" and we're in the middle of SS Girls all of a sudden! Okay, I should specify that we aren't literally transported to the footage of SS Girls, but it's a party straight out of that film, sans the loads of nudity. The movie manages to handle the Nazi material well, clearly borrowing from Boys from Brazil and Marathon Man in places as far as the Nazi-hunting goes, but once we learn demons are involved, the Nazis are reduced to just being a cog in the wheel. The paranormal elements are also jarring but not quite as much--but still, you wouldn't expect a movie about Nazis and psychic dreams to suddenly feature a fucking xenomorph, would you?

I think this movie may be an anti-atheist film but I'm not sure. We're probably meant to be on Claire the Catholic's side as she spars with her husband over his rejection of religion. However, James' atheism is so ridiculous that it almost seems to be a parody. No serious atheist would use the disproof of Jesus as a historical figure as their sole evidence that all world religions are objectively bullshit--especially when said "disproof" is shockingly lazy! However, his atheism is still used for an intriguing purpose. After all, Olivier and his demons recruit James on the premise that his atheism is a pretense for Satanism. But James doesn't believe in the devil any more than he believes in God, leading to a scene where Olivier becomes something of an Inquisitor in the Christian sense, ordering James to repent his disbelief in Satan! In the end his refusal doesn't save him, however.

It's strange, too, because in this universe belief in God won't save you either. I was left with the impression at the end that this is a godless universe, or has become one, meaning the bad guys win. That's '80s horror for yuh.

The Nightmare Never Ends labors under the prospect that it really means something, or at least it gives the impression of such labor. For that reason, I think it's worthy of multiple viewings, and I know I'll return to it again and again over my life, if nothing else because the rubber monsters in it are amazing. And now that this is taken care of, we can move on to the series finale, with Night Train to Terror. This movie is already pretty weird, but imagine it now with most of its insides cut out!

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